Monster

November 15, 2015

Mixed up in a heist that turned lethal, teenager Steve Harmon is on trial for murder and robbery. An amateur filmmaker, Steve imagines his ordeal as a movie starring himself as a "monster," since that's what those accused of the crime are labeled. Myers's portrayal of thorny moral issues as well as Steve's complicated emotions led to a number of awards for the novel on which Sims's graphic novel adaptation is based. Anyabwile's gray-scale drawings add layers to the drama. Older teens and adults; great for reluctant readers.

Copyright 2015 Library Journal, LLC Used with permission.

May 14, 2001
. "Myers bends the novel form for this riveting courtroom drama that explores the guilt or innocence of a teenage boy involved in a murder," wrote PW
in a Best Books citation. Ages 12-up.

July 1, 1999
Gr 7 Up-Steve Harmon, 16, is accused of serving as a lookout for a robbery of a Harlem drugstore. The owner was shot and killed, and now Steve is in prison awaiting trial for murder. From there, he tells about his case and his incarceration. Many elements of this story are familiar, but Myers keeps it fresh and alive by telling it from an unusual perspective. Steve, an amateur filmmaker, recounts his experiences in the form of a movie screenplay. His striking scene-by-scene narrative of how his life has dramatically changed is riveting. Interspersed within the script are diary entries in which the teen vividly describes the nightmarish conditions of his confinement. Myers expertly presents the many facets of his protagonist's character and readers will find themselves feeling both sympathy and repugnance for him. Steve searches deep within his soul to prove to himself that he is not the "monster" the prosecutor presented him as to the jury. Ultimately, he reconnects with his humanity and regains a moral awareness that he had lost. Christopher Myers's superfluous black-and-white drawings are less successful. Their grainy, unfocused look complements the cinematic quality of the text, but they do little to enhance the story. Monster will challenge readers with difficult questions, to which there are no definitive answers. In some respects, the novel is reminiscent of Virginia Walter's Making Up Megaboy (DK Ink, 1998), another book enriched by its ambiguity. Like it, Monster lends itself well to classroom or group discussion. It's an emotionally charged story that readers will find compelling and disturbing.-Edward Sullivan, New York Public Library

Copyright 1999 School Library Journal, LLC Used with permission.

May 1, 1999
Gr. 9^-12. Myers combines an innovative format, complex moral issues, and an intriguingly sympathetic but flawed protagonist in this cautionary tale of a 16-year-old on trial for felony murder. Steve Harmon is accused of acting as lookout for a robbery that left a victim dead; if convicted, Steve could serve 25 years to life. Although it is clear that Steve did participate in the robbery, his level of involvement is questionable, leaving protagonist and reader to grapple with the question of his guilt. An amateur filmmaker, Steve tells his story in a combination of film script and journal. The "handwritten" font of the journal entries effectively uses boldface and different sizes of type to emphasize particular passages. The film script contains minimal jargon, explaining camera angles (CU, POV, etc.) when each term first appears. Myers' son Christopher provides the black-and-white photos, often cropped and digitally altered, that complement the text. Script and journal together create a fascinating portrait of a terrified young man wrestling with his conscience. The tense drama of the courtroom scenes will enthrall readers, but it is the thorny moral questions raised in Steve's journal that will endure in readers' memories. Although descriptions of the robbery and prison life are realistic and not overly graphic, the subject matter is more appropriate for high-school-age than younger readers. ((Reviewed May 1, 1999))(Reprinted with permission of Booklist, copyright 1999, American Library Association.)

May 31, 1999
In this riveting courtroom drama, Steve Harmon, a Harlem teenager involved in a murder, recounts his trial in the form of a movie script. The objectivity with which he records testimony and flashbacks of events leading up to the crime ("Steve is sitting on a bench, and James King sits with him. King is bleary-eyed and smokes a joint as he talks") belies the deep emotions Steve expresses in his prison journal: "I go to bed every night terrified out of my mind. I have nightmares whenever I close my eyes." Readers will not question the 16-year-old's relationship to the crime; that is established early in the novel. However, opinions will vary as to whether Steve deserves sympathy or rebuke. Myers (Scorpions; Somewhere in the Darkness) masterfully conveys the complexity of Steve's character by presenting numerous angles of his personality. From the prosecuting attorney's point of view, he is a "monster." According to a character witness, Steve's high-school film teacher, Steve is "an outstanding young man... talented, bright, and compassionate." The only person who does not offer a clear, pat appraisal of Steve is Steve himself. Even after the verdict is delivered he is not able to make sense of who he is: the final image of him filming himself as he gazes into a mirror, searching for his identity ("I want to look at myself a thousand times to look for one true image") will leave a powerful, haunting impression on young minds. This would make an ideal companion to Virginia Walter's Making Up Megaboy for an insightful look at a teenage suspect's lost innocence. Ages 12-up.

July 1, 1999
Arrested and charged with murder, sixteen-year-old Steve Harmon is writing a screenplay of his ordeal. Balancing courtroom drama and a sordid jailhouse setting with flashbacks to the crime, Myers adeptly allows each character to speak for him or herself, leaving readers to judge for themselves the truthfulness of the defendants, witnesses, lawyers, and, most compellingly, Steve himself.

(Copyright 1999 by The Horn Book, Incorporated, Boston. All rights reserved.)

August 1, 2015

Gr 9 Up-This is the story of a teenager named Steve Harmon who is on trial for murder and robbery, but it is not clear if he's guilty or not (in part because we see the story through his eyes, and he is reluctant to admit the full truth). Steve is interested in film, and so much of the story is told in a screenplay format. The screenplay idea worked well as a novel in the source material, and the format was noticeable enough that it jumped off the page and readers could clearly understand what was going on in Myers's Printz-winning Monster (HarperCollins, 1999). But this graphic novel adaptation is clunkier in its attempts to use this same format. Steve shares that he wants to make this story into a movie, and then readers are presented with traditional words and images often depicted in comics, which may confuse teens about whether they are seeing the movie idea or just the graphic novel format. Anyabwile's black-and-white artwork will give this tale added visual appeal, as the scenes portray the action takes place from different characters' points of view, as well as close-ups of conflicted emotional expressions. VERDICT This graphic novel adaptation will introduce this story to a new generation of fans, but unfortunately it does not maintain the strength or the style of the original novel.-Andrea Lipinski, New York Public Library

Copyright 2015 School Library Journal, LLC Used with permission.

Starred review from August 1, 2015
Grades 9-12 *Starred Review* Myers' award-winning 1999 novel was a bold experiment in form, telling portions of the story in, among other things, a screenplay. African American teen Steve Harmon is a burgeoning filmmaker, and his interest in cinema shapes his account of being on trial for his role in a robbery that resulted in murder. Steve's story would be dramatic in any format, but this graphic adaptation is particularly well suited to the tale. Told as a trial with flashbacks to the robbery and moments in the lives of those affected, Sims' adaptation, aided by Anyabwile's ingenious black-and-white comic-book-style sequential art, perfectly captures the natural suspense of a courtroom drama. Using panels like a filmstrip, Sims and Anyabwile achieve several remarkably cinematic effects: alternating grids and splash pages captures the tension between close-up and long shots; the use of jittery lettering and uneven word balloons injects deeper anxiety into the sound design; having a jury view the events recounted in testimony as a movie audience creates incisive visual metaphors. Though this graphic adaptation requires close and focused attention to unpack at times, the superbly rewarding format serves to powerfully emphasize Myers' themes of perspective and the quest to see one's self clearly. A must-have for public and school libraries, and a standout graphic novel.(Reprinted with permission of Booklist, copyright 2015, American Library Association.)

August 15, 2015
A faithfully adapted graphic-novel retelling of the first Printz Award winner. If ever a novel lent itself to a graphic adaptation, it is Monster (1999). Written in a screenplay format interspersed with first-person journal entries, it practically adapts itself into a visual presentation. Fortunately Sims and Anyabwile are smart enough not to mess with a good thing, and they stick closely to the original to tell the story of New York teenager Steve Harmon's trial for felony murder. Myers' admirers will be pleased to see much of the original dialogue and narration preserved, though neatly edited in places to keep the pace brisk. Meanwhile, Anyabwile's black-and-white illustrations do more than simply interpret the original's camera directions and descriptions. They also add subtle layers to the courtroom accounts and journal entries, all while maintaining the narrative suspense and ambiguity that's made this story linger with a generation of readers. It's not any clearer in this version what role Steve truly might have played in the crime. Black gutters between panels and heavy shading create an appropriately oppressive atmosphere. Though the overall effect can be muddy, it generally suits the darkness of the story and the bold lines of Anyabwile's figures. It's not easy for an adaptation to please both old and new readers, but this respectful one pulls off that trick. (Graphic adaptation. 13 & up)

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